I'm not much of a movie buff; it's always been too passive an activity for me. I'm even less a fan of documentaries that put forth information on touchy or controversial topics, because too often I cannot help but resist, merely on account of the 'in no uncertain terms' with which they do so. But this film is truly (yikes!) fair and balanced in its approach to what has become the mythos of Treadwell, and it has touched me in a way no other piece of cinema in recent memory has. Part of this is Herzog's doing; his smart, capable editing of Treadwell's video journals and poetic narration thereto have a way of compelling the viewer to not miss a thing.
Part of this is also on account of Treadwell himself.
I first discovered Grizzly Man on YouTube, where someone had posted it - probably illegally - in parts, and was eventually moved to buy the DVD after my interest in Treadwell's story intensified.
Treadwell spent 13 summers in Katmai, communing with Alaskan brown bears in a manner that many wildlife experts and park rangers considered reckless. But as those who knew Treadwell personally claim in Grizzly Man, it would seem his behavior in the park was as much testament to his fearlessness as his recklessness. One trait is to be admired, the other is to be discouraged, but perhaps they cannot help but go hand in hand. They certainly did in Treadwell's case, and served him well until the horrific night of October 5, when his and Amie Huguenard's luck ran out, and they crossed paths with a bear that didn't back down, didn't respond to Treadwell's self-styled displays of dominance and/or affected simpatico.
During his time there, he obtained an extensive knowledge and understanding of the bears he believed - or at least proclaimed - he was protecting. He shot over 100 hours of video footage, snapped thousands of astounding photos of his bear companions and other wildlife. Some of his video footage was used in Grizzly Man, to help paint a more intimate (and for this, more accurate) portrait of an emotionally complex (sometimes unstable) man.
Treadwell seemed to really be an eco-warrior, totally committed to the welfare of the bears and to educating people, particularly children, in the interest of demystifying the animals, quelling people's innate fear of them. He was a tough son of a bitch, that's for sure, enduring 13 summers mostly alone in harsh (or spartan, at least) conditions, and by all accounts - in the documentary and other literature published before and after his death - was much smarter and more knowledgeable than people gave him credit for.
But he was also troubled, and as much a Barnum and Bailey-style self-promoter as environmentalist. He fashioned his own national celebrity through his organization Grizzly People, and wound up a guest on various talk shows such as David Letterman, Rosie O'Donnell and The Discovery Channel to discuss his bear adventures and the good work he was doing.
The bears he claimed to be protecting, however, were really under no threat from anyone. Katmai is a large, federally protected preserve, most of which is only accessible by float plane, and incidents of poaching are rare. He had his supporters, and while no one seems to have doubted his sincerity or good intentions, there were many outside of the Park Service who felt he was overstepping not only the law, but implied and understood boundaries.
In his documentary, Herzog addresses these boundaries, interviewing park rangers, wildlife experts and a member of the local indigenous people, but he also endeavors to shed light on Treadwell's more vulnerable characteristics - the tightly woven fabric that bound Timothy Dexter (his real name) to Timothy Treadwell, his celebrity persona.
To that end, the title, Grizzly Man is a bit misleading, suggesting a very different persona than was actually the case. It evokes images of a burly, heavily bearded mountain man with a Gary Cooper way of (not) speaking, who comes to the woods on an Thoreau-esque quest for self-awareness and peace.
Treadwell had a few addictions, some minor skeletons in his past, and the bears, in the beginning, were an antidote for that; indeed, a quest for peace and self-awareness. But he was no Gary Cooper meets Charlie Daniels. He was skinny, blonde and balding; he spoke in a high-pitched, nasal voice even when he wasn't talking to the bears (then his voice would rise in pitch and timbre even further, as a means of technique); he had a way of giggling gleefully at times, and was not afraid to bear (no pun intended) his emotions. There was in every photo I've seen and throughout the documentary, something unavoidably 'California' about him. A handsomeness and a kind of passivity that stood in stark contrast to the tough environs into which he flung himself every summer. One might doubt a guy like Treadwell could hack it in the Alaskan wilds; but he did, year after year, increasingly devoted to his bears. Herzog seems to choose Treadwell video that would make this contradiction apparent.
He also endeavors to paint Treadwell as a conflicted man who may, just may, have had a death wish. I'm not so sure of that, but I am certain of Treadwell's emotional instability. It's impossible to miss, and for Treadwell's effort, quite easy to simultaneously empathize with and dismiss him outright. Moments of extreme emotion, from profanity-laden tirades against the Park Service (whose ultimate goal was not interfering with what he was doing, but merely keeping him safe) to child-like crying jags over leaden realities we all must face sometimes and are preponderant in nature (death, violence, selfishness) were captured by his own camera as readily as inflective moments of self-examination, when Treadwell talked about himself much more than he talked about bears. In these moments, he revealed himself to be an alienated soul who had become repulsed by the human world to such a point he was seeking refuge, and acceptance, among the bears. During none of this does it occur to me that he wishes to die. He seems willing to die for sure, if need be, but not wanting to, and not ready to.
In other words, I don't think Treadwell was crazy, naive, stupid or suicidal, as many have said (especially on YouTube, where posts left by viewers of Herzog's film are almost always ignorant, sometimes startlingly cruel). He was just disturbed; very disturbed. And lonely; very lonely.
I agree with Herzog, narrating the film, that there is little in the way of communication or understanding, little in the way of 'refuge', to be found in the faces of these magnificent creatures, which Treadwell could not help but anthropomorphize to reckless proportions and occasionally got disturbingly (if compellingly) close to. 'A half-bored interest in food', Herzog says, was all he could detect in the eyes of these bears, and he's entirely right. Such is as good as can be expected from nature, and for that reason all nature, particularly predators, and especially the world's largest land predator, must be viewed and appreciated from a distance. Presages of Treadwell's demise can be found in much of his own video - either bears getting too close, making bluff charges at him (this happened more than once), or Treadwell's own ready talk of the possibility of being eaten and consumed by one of the animals at any time. It's no secret Treadwell enjoyed that possibility. He may not have wanted to die, but without question he got off on the possibility that he could.
But in any case, it's Treadwell's vulnerability that is the star of the show, his pathos - a mixture of exasperation, restlessness and anger (with himself as much as the human world in general) - that has left a deep, deep impression with me.
I'm not sure why. Perhaps because I have recently gone through my own personal and professional loss, felt a little disaffected, alienated and angry myself, or perhaps it's something that's always been inside me; but I can relate to Treadwell. I understand fully being gripped by two opposing forces: a desire to drop to my knees and cry, and a desire to start punching something and not stop until I can't feel anything in my knuckles but the blood pouring out of them. I too have understood Treadwell's obsession with nature, understood how its (seeming) simplicity can appear to be the only thing that really matters, the only place I'd like to find myself, and have been moved to search for some higher meaning, some lesson learned I sense is lurking just inside the placid exterior of nature's house.
I too have sat and imagined a kinship with certain animals (although far less dangerous) in my midst - squirrels in trees, birds at the feeder, rabbits living under my deck. I have at times, with no small amount of emotion, wished to be part of their simplicity, wished for an out from humanity's impossible schedule, impossible dreams, impossible failures; I have, at times, considered the mere act of getting out of bed in the morning a laughable hubris.
I know that I will never take my life to the extremes Treadwell did. Truth be told, I could never endure the physical challenge of living in such a harsh environment. Two or three days of leaves for toilet paper and bathing in a cold stream, and I'd be searching for the nearest bed and breakfast. I'm much more grounded, have much more to live for, it seems, than Treadwell. And more significant, I have always come out of my funks, usually with a refreshed sense of faith in humanity and, more importantly, myself. Treadwell had lost all faith in humanity, and his place amongst it.
But as Grizzly Man beautifully makes clear, Treadwell's legacy is not the bears. It is that which was missing in his heart that drove him to seek something so important, and so unattainable, from them. For that reason, Treadwell, whether he knew it or not, still had an unbreakable tie to, and much in common with, the human world.
